Delhi gets a dosage of Draupadi's Mahabharata

Delhi's theater lovers saw an interpretation of Draupadi's form of the Mahabharata in a Haryanavi family unit setting, when the play 'Draupadi', coordinated by Atul Satya Koushik, was arranged as of late. A part of the Malang'16 celebration by Vayam Performing Arts Society, the play included veteran on-screen characters Himani Shivpuri, who played Draupadi in one of the demonstrations, and Rakesh Bedi as one of the men of the town. The play, which likewise had some people stories and melodies, started with the ladies of the town choosing to authorize the play Draupadi, while the men are away for a wedding. The scenes portrayed Draupadi's adventure after her marriage to the five Pandavas, the segment of the Kuru kingdom and Draupadi's torment of offering herself to five spouses, her lonely love for Arjun, their consequent partition and her notorious uncovering in the court - with four ladies playing Draupadi to highlight every angle.

ABOUT ISSUES RELEVANT TODAY The play associated the Mahabharata to contemporary issues. While the segment of the Kuru kingdom was connected to the India-Pakistan division, Draupadi's cheerharan was connected with the wrongdoings against ladies common today. Her detachment with Arjun raised the issue of ladies not having the flexibility to pick an existence accomplice in conventional family units. The play additionally called attention to the unthinkable connected with feminine cycle, as Draupadi was in the same state when she was undressed freely.

People SONGS ADDED TO THE PLAY Aanchal, an individual from the gathering of people, said, "I cherished the play and how they displayed it . The society tunes added to the kind of the story. Furthermore, Himani was remarkable." Himani, who played Draupadi amid the cheerharan scene, said, "It was awesome to be connected with such a solid and captivating character. I'm happy to be a piece of such an astounding play." Rakesh Bedi, who didn't have too numerous scenes, said, "Minor liye waise kuch zyada karne ko nahi tha. It was a lady overwhelmed play. Mujhe toh green room mein bhi ajeeb lagta tha - har taraf auratein. Fundamental toh kai baar exhibition mein hello there kapde badal leta tha! Be that as it may, the innovation and uniqueness of the script made me take up this play."